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Poetic Diction is a style of writing in poetry which encompasses vocabulary, phrasing, and grammatical usage. Along with syntax, poetic diction functions in the setting the tone, mood, and atmosphere of a poem to convey the poet's intention.
One of the main focal points of cognitive literary analysis is conceptual metaphor, an idea pioneered and popularized by the works of Lakoff, as a tool for examining texts. Rather than regarding metaphors as ornamental figures of speech, cognitive poetics examines how the conceptual bases of such metaphors interact with the text as a whole.
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
[2] [3] Poetics is distinguished from hermeneutics by its focus on the synthesis of non-semantic elements in a text rather than its semantic interpretation. [4] Most literary criticism combines poetics and hermeneutics in a single analysis; however, one or the other may predominate given the text and the aims of the one doing the reading.
A dactyl (/ ˈ d æ k t ɪ l /; Greek: δάκτυλος, dáktylos, “finger”) is a foot in poetic meter. [1] In quantitative verse, often used in Greek or Latin, a dactyl is a long syllable followed by two short syllables, as determined by syllable weight.
Phanopoeia or phanopeia is defined as "a casting of images upon the visual imagination," [1] throwing the object (fixed or moving) on to the visual imagination. In the first publication of these three types, Pound refers to phanopoeia as "imagism."
The author suggests that the powers in the precursor poem actually derive from something beyond it; the poet does so "to generalize away the uniqueness of the earlier work". Bloom took the term daemonization from Neoplatonism, where it refers to an adept being aided by an intermediary, who is neither divine nor human. [5]
Graphology is the pseudoscientific [6] [7] [8] study and analysis of handwriting in relation to human psychology. Graphology is primarily used as a recruiting tool in the applicant screening process for predicting personality traits and job performance, despite research showing consistently null correlations for these uses.