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The snare drum seems to have descended from a medieval drum called the tabor, which was a drum with a single-gut snare strung across the bottom. It is a little bigger than a medium tom and was first used in war, often played with a fife (pipe); the player would play both the fife and drum (see also Pipe and tabor ).
Many variations of snare drum technique exist based on the context or music being performed. Snare drum can be played with sweeping and stirring motions if played with brushes. [6] It can also be played in a snappy and light manner, as in the Pipe band tradition of Scotland. [7] A much heavier approach is used in American Drum corps playing. [8]
The second is the "ping shot", where the bead is struck about one inch (2.5 cm) from the rim. This produces a high-pitched sound. The third is a "gock" (also spelled gawk), which is produced by hitting the bead of the drum stick at the center of the drum while the rim is percussed with the distal shaft of the stick (near the hand). This makes a ...
Rich was born in Sheepshead Bay, Brooklyn, New York, to Jewish parents Bess Skolnik and Robert Rich, both American vaudevillians. [5]: 6 At 18 months old, he became part of his parents' vaudeville act, dressed in a sailor suit playing an arrangement of "The Stars and Stripes Forever" behind a large bass and snare drum - an act which concluded with him emerging from behind the drums tap-dancing ...
One Drop drum pattern, half-time variant [3] [1] [5] Play ⓘ.Also typical ska pattern. [4]One drop rhythm is a reggae style drum beat.. Popularized by Carlton Barrett, long-time drummer of Bob Marley and the Wailers, [6] the creator is disputed, and it has been attributed to drummers including Barrett, [7] [8] and his brother Aston, [9] and Winston Grennan.
[2] Hakim's snare drum was treated with gated reverb, a sound developed by engineers like Clearmountain and Hugh Padgham at the Power Station and London's Townhouse Studios, respectively, wherein a microphone would be hooked up on the snare head to record the initial impact and rig ambient microphones equipped with noise gates above the kit for ...
A blast beat is traditionally played as an alternating single-stroke roll broken up between the kick drum and the snare drum. Blast beats are counted in 32nd or 16th notes. In a modern musical context blast beats are usually regarded as such when played at a minimum of above 90 beats per minute 32nd notes, or 180 bpm 16th notes. [19]
The term "boom bap" is an onomatopoeia that represents the sounds used for the bass (kick) drum and snare drum, respectively. The style is usually recognized by a main drum loop that uses a hard-hitting, acoustic bass drum sample on the downbeats , a snappy acoustic snare drum sample on the upbeats , and an "in your face" audio mix emphasizing ...