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Impalement, as a method of torture and execution, is the penetration of a human by an object such as a stake, pole, spear, or hook, often by the complete or partial perforation of the torso. It was particularly used in response to "crimes against the state" and is regarded across a number of cultures as a very harsh form of capital punishment ...
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The Broddenbjerg idol, an ithyphallic forked-stick figure found in a peat bog near Viborg, Denmark, is carbon-dated to approximately 535–520 BCE. [2] The Braak Bog Figures, a male and female forked-stick pair found in a peat bog at Braak, Schleswig-Holstein, have been dated to the 2nd to 3rd centuries BCE but also as early as the 4th century.
In his De Cruce (Antwerp 1594), p. 10 Justus Lipsius explained the two forms of what he called the crux simplex.. The term crux simplex was invented by Justus Lipsius (1547–1606) to indicate a plain transom-less wooden stake used for executing either by affixing the victim to it or by impaling him with it (Simplex [...] voco, cum in uno simplicique ligno fit affixio, aut infixio).
The 17th-century perjurer Titus Oates in a pillory. The pillory is a device made of a wooden or metal framework erected on a post, with holes for securing the head and hands, used during the medieval and renaissance periods for punishment by public humiliation and often further physical abuse. [1]
The reconstructed gallows-style gibbet at Caxton Gibbet, in Cambridgeshire, England. Gibbeting is the use of a gallows-type structure from which the dead or dying bodies of criminals were hanged on public display to deter other existing or potential criminals.
An assortment of club weapons from the Wujing Zongyao from left to right: flail, metal bat, double flail, truncheon, mace, barbed mace. A club (also known as a cudgel, baton, bludgeon, truncheon, cosh, nightstick, or impact weapon) is a short staff or stick, usually made of wood, wielded as a weapon or tool [1] since prehistory.
Although the focus generally is on the martial arts of Medieval and Renaissance masters, 19th and early 20th century martial arts teachers are also studied and their systems are reconstructed, including Edward William Barton-Wright, the founder of Bartitsu; [21] combat savate and stick fighting master Pierre Vigny; London-based boxer and fencer ...