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Christ and Saint Thomas (1467–1483) is a bronze statue by Andrea del Verrocchio made for one of the fourteen niches on the exterior walls of the Orsanmichele in Florence, Italy. It is now replaced in that location by a cast and the original has been moved inside the building, which is now a museum.
The Basilica del Santo Crucifix is a 1444–1447 bronze sculpture by Donatello on the high altar of the Basilica of Saint Anthony of Padua in Padua. It measures 180 by 166 cm; his only monumental bronze on that scale prior to that date had been his 1423–1425 Saint Louis of Toulouse. The work was originally nude, with a textile loincloth ...
The sculpture of St. Luke, completed in 1957, is one part of a collection of four total figures located outside of O’Shaughnessy Hall on the south quad of the campus of Notre Dame. The collection includes sculptures of Christ and the Samaritan Woman, St. Luke and St. John. The pedestal it rests on is concrete. [2]
Homeless Jesus, also known as Jesus the Homeless (French: Jésus le sans-abri), is a bronze sculpture by Timothy Schmalz depicting Jesus as a homeless person, sleeping on a park bench. The original sculpture was installed in 2013 at Regis College, a theological college federated with the University of Toronto. Other copies of the statue were ...
The Lamentation over the Dead Christ is an openwork bronze relief sculpture of c. 1455–1460, produced in his old age by Donatello and now in the Victoria and Albert Museum in London. It measures 32.1 by 41.7 cm. [ 1 ]
Amore-Attis (literally Love-Attis) is a bronze sculpture by Donatello of c. 1440–1443. It is 104 cm high and has traces of its original gilding, and is now in the Museo del Bargello in Florence. [1] With his most famous work, the bronze David (also
The Madonna della Pietà colloquially known as La Pietà (Italian: [maˈdɔnna della pjeˈta]; 1498–1499) is a Roman Catholic Italian Carrara marble sculpture of Jesus Christ and the Virgin Mary at Mount Golgotha, a subject in art known as the Pietà.
The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art , and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.