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Sculpture Bronze Height 20 m (66 ft), columns 21 [25] Bust of Cardinal Melchior Klesl: Wiener Neustadt Cathedral, Wiener Neustadt 1623 c. Sculpture Bronze 22 [26] Two Angels in Sant'Agostino: Basilica of Sant'Agostino, Rome 1626–1628 Sculpture Marble Life-size 23 [27] Bust of Francesco Barberini: National Gallery of Art, Washington, D.C. 1626 ...
The sculpture shows the Incredulity of Saint Thomas, a subject frequently represented in Christian art since at least the 5th century and used to make a variety of theological points. Thomas the Apostle doubted the resurrection of Jesus and had to feel the wounds for himself in order to be convinced ( John 20:24–29 ).
Truth Unveiled by Time is a marble sculpture by Italian artist Gian Lorenzo Bernini, one of the foremost sculptors of the Italian Baroque.Executed between 1645 and 1652, Bernini intended to show Truth allegorically as a naked young woman being unveiled by a figure of Time above her, but the figure of Time was never executed.
The Corpus donated to the Art Gallery of Ontario in Toronto was long believed to have been cast by an unknown French artist. In 2004, following new scholarly studies of the work, Corpus was attributed to Bernini, who cast the sculpture for his personal collection. [1] After being "lost" for over one hundred years, Corpus surfaced in Venice in ...
The Resurrection (La Resurrezione) is a bronze and brass sculpture by Pericle Fazzini in the Paul VI Audience Hall in Rome. [1] Intended to capture the anguish of 20th century mankind living under the threat of nuclear war, La Resurrezione depicts Jesus rising from a nuclear crater in the Garden of Gethsemane. Fazzini summarized the action of ...
Christ Carrying the Cross, 1580, by El Greco, whose art reflects both his roots in Greek Orthodox traditions and the Catholic Counter-Reformation After Giotto , Fra Angelico and others systematically developed uncluttered images that focused on the depiction of Jesus with an ideal human beauty, in works like Leonardo da Vinci 's Last Supper ...
Ghiberti's St. John was the largest statue ever cast in Florence up to that point. From its base, it rises 2.55 meters, and sits in an arched Gothic niche. The hollow cast, the thinness of the bronze, and a comparison with his later St. Matthew all indicate that this sculpture was cast in one piece from a wax and clay model.
The Lamentation over the Dead Christ is an openwork bronze relief sculpture of c. 1455–1460, produced in his old age by Donatello and now in the Victoria and Albert Museum in London. It measures 32.1 by 41.7 cm. [ 1 ]