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The Basilica del Santo Crucifix is a 1444–1447 bronze sculpture by Donatello on the high altar of the Basilica of Saint Anthony of Padua in Padua. It measures 180 by 166 cm; his only monumental bronze on that scale prior to that date had been his 1423–1425 Saint Louis of Toulouse. The work was originally nude, with a textile loincloth ...
Christ and Saint Thomas (1467–1483) is a bronze statue by Andrea del Verrocchio made for one of the fourteen niches on the exterior walls of the Orsanmichele in Florence, Italy. It is now replaced in that location by a cast and the original has been moved inside the building, which is now a museum.
The Lamentation over the Dead Christ is an openwork bronze relief sculpture of c. 1455–1460, produced in his old age by Donatello and now in the Victoria and Albert Museum in London. It measures 32.1 by 41.7 cm. [ 1 ]
The statue has been described as a "visual translation" of the Gospel of Matthew passage in which Jesus tells his disciples, "as you did it to one of the least of my brothers, you did it to me". [2] The bronze sculpture was intended to be provocative, with its sculptor, Timothy Schmalz commenting, "That's essentially what the sculpture is there ...
The doors show relief images from the Bible, scenes from the Book of Genesis on the left door and from the life of Jesus on the right door. They are considered a masterpiece of Ottonian art , and feature the oldest known monumental image cycle in German sculpture, and also the oldest cycle of images cast in metal in Germany.
The Corpus donated to the Art Gallery of Ontario in Toronto was long believed to have been cast by an unknown French artist. In 2004, following new scholarly studies of the work, Corpus was attributed to Bernini, who cast the sculpture for his personal collection. [1] After being "lost" for over one hundred years, Corpus surfaced in Venice in ...
The life of Christ as a narrative cycle in Christian art comprises a number of different subjects showing events from the life of Jesus on Earth. They are distinguished from the many other subjects in art showing the eternal life of Christ, such as Christ in Majesty , and also many types of portrait or devotional subjects without a narrative ...
Second half of the 4th century. Such works "first present us with the fully formed image of Christ in Majesty that will so dominate Byzantine art." [28] For detail of Christ, see this file. Christ Pantocrator in a Roman mosaic in the church of Santa Pudenziana, Rome, c. 400–410 AD during the Western Roman Empire