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The ceiling before the restoration [c]. The preliminary experimentation for the modern restoration began in 1979. The restoration team comprised Gianluigi Colalucci, Maurizio Rossi, Piergiorgio Bonetti, and others, [6] who took as their guidelines the Rules for restoration of works of art as established in 1978 by Carlo Pietrangeli, director of the Vatican's Laboratory for the Restoration of ...
The NPS vowed to support the historical documentation effort, and a photographer was hired to photograph the entirety of the restoration—before, during, and after. Owing to this decision, an archive of two hundred large format photographs—both black and white, and multicolor—were developed for NPS and the Historic American Engineering ...
The conservation and restoration of frescoes is the process of caring for and maintaining frescos, and includes documentation, examination, research, and treatment to insure their long-term viability, when desired.
“We were always asked if you should restore a finish or not. I think it depends on your taste. ... “If you think that something has value, before you do anything with it feel free to reach out ...
[1] paint, wood finish top coat, [citation needed] wax, lacquer or varnish are commonly used. [2] The artisan or restorer is traditionally aiming for an improved or restored and renewed finish. However, there are a great variety of both traditional and modern finishes, including faux finishes, and distressing or antiquing to make pieces look older.
Apostles Philip and Jacob. XVIII c. Egg tempera on wood. Before and conservation. Egg Tempera is made up of egg yolk, water, and pigment. These ingredients are mixed together to create a thick paste that dries quickly, but can take six to twelve months before it completely cures. Egg Tempera's fast drying property makes it difficult to correct ...