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Reading Stele Nest Stone by Li Cheng (919–967). The northern landscape style (Chinese: 北宗画; pinyin: běi zōng huà) was a manner of Chinese landscape painting centered on a loose group of artists who worked and lived in Northern China during the Five Dynasties period that occupied the time between the collapse of the Tang dynasty and the rise of the Song.
Guo Xi (Chinese: 郭熙; pinyin: Guō Xī; Wade–Giles: Kuo Hsi) (c. 1020 – c. 1090) [1] was a Chinese landscape painter from Henan Province [2] who lived during the Northern Song dynasty. [3] One text entitled "The Lofty Message of Forest and Streams" ( Linquan Gaozhi 林泉高致) is attributed to him.
Travelers among Mountains and Streams, a large hanging scroll, is Fan Kuan's best known work, possibly his only surviving one, [4] and a seminal painting of the Northern Song school. It establishes an ideal in monumental landscape painting to which later painters were to return time and again for inspiration. [ 5 ]
Appreciation of art among the gentry class flourished during the Song dynasty, especially in regard to paintings, which is an art practiced by many. Trends in painting styles amongst the gentry notably shifted from the Northern (960–1127) to Southern Song (1127–1279) periods, influenced in part by the gradual embrace of the Neo-Confucian ...
Northern Song landscape painting differs from Southern Song painting because of its paradigm shift in representation. If Southern Song period landscape painting is said to be looking inward, Northern Song painting is reaching outward. During the Northern Song period, the rulers' goal is to consolidate and extend the elites value across the society.
Old Trees, Level Distance (Traditional Chinese: 樹色平遠圖; Pinyin: Shù sè píng yuǎn tú) is a Song dynasty handscroll on silk painting by Guo Xi.Completed in 1080, it is also a considered a prominent example of the "Northern Song" style of Chinese landscapes to which this piece has often been studied alongside that of Early Spring, current housed in the National Palace Museum.
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Mount Lu; hanging scroll, ink on silk; National Palace Museum, Taipei, Taiwan. Jing Hao (Chinese: 荆浩; Wade–Giles: Ching Hao, also known as Hongguzi) (c. 855–915) [1] was a Chinese landscape painter and art theorist of the Five Dynasties and Ten Kingdoms period in Northern China.