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The island's 40-foot stone cross was erected in 1934 in celebration of Maryland's 300th anniversary, recognizing the location as one of the foundation sites of religious toleration in the United States. [14] A replica of the Blakistone Island Light was completed in 2008 through the efforts of the St. Clement's Hundred community organization. [14]
Maryland's 24 public library systems deliver public education for everyone in Maryland through a curriculum that is composed of three pillars: Self-Directed Education (books and materials in all formats, e-resources), Research Assistance & Instruction (individualized research assistance, classes for students of all ages), and Instructive ...
Wainyapu, a Kodi [a] village, has some 1,400 dolmens — one of the highest concentrations on Sumba. [6] This island is the last place on Earth where some cultures still follow the traditions of the hill tribes of South-East Asia and commonly build megaliths such as dolmens for collective graves. [7]
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Sumba people have a rich and relatively diverse oral folklore. Preserved traditional festivals, which includes horse race, bull sacrifices, complex funerary rituals and fights with spears. Pasola is the cultural feast of the Sumba people and is considered one of Indonesia's cultural richness, which is very rare and unique to the Sumba people. [19]
Sumba lies behind high mountains and it used to be difficult to reach in wintertime when the storms raged, but now there is a tunnel, which makes all transport much easier. Just outside the coast of Sumba is the islet of Sumbiarhólmur. In summertime men from Sumba take 7 or 8 rams out on the islet and collect them again in September. [2]
Both TB Tvøroyri and VB Vágur have won the Faroese National Championship (TB seven times, the last being in 1987, and VB once in the year 2000); but since the success is lacking in recent years, there is a growing debate about merging the four teams into one, (VB and Sumba have, as mentioned above, already joined forces since 2005).
The textiles of Sumba, an island in eastern Indonesia, represent the means by which the present generation passes on its messages to future generations. Sumbanese textiles are deeply personal; they follow a distinct systematic form but also show the individuality of the weavers and the villages where they are produced.