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Coleman Randolph Hawkins (November 21, 1904 – May 19, 1969), nicknamed "Hawk" and sometimes "Bean", was an American jazz tenor saxophonist. [1] One of the first prominent jazz musicians on his instrument, as Joachim E. Berendt explained: "there were some tenor players before him, but the instrument was not an acknowledged jazz horn". [ 2 ]
Scott Yanow of AllMusic states: "For one of the first times, on the lengthy 'Bird of Prey Blues' that opens this LP, Hawkins showed that at last he had mastered the blues. His honking and roaring improvisation, although more sophisticated than the usual solos by R&B tenors, captured their spirit and extroverted emotions perfectly.
The Coleman Hawkins, Roy Eldridge, Pete Brown, Jo Jones All Stars at Newport is a live album by Coleman Hawkins's All Stars with Roy Eldridge, Pete Brown and Jo Jones recorded at the Newport Jazz Festival in 1957 and released on the Verve label. [1] [2]
(Top) 1 Reception. 2 Track listing. 3 Personnel. 4 ... Today and Now is an album by American jazz saxophonist Coleman Hawkins featuring performances recorded in 1962 ...
(Top) 1 Reception. 2 Track listing. 3 Personnel. 4 ... The Hawk Swings is an album by saxophonist Coleman Hawkins which was recorded in 1960 and released on the Crown ...
These songs still rank among the most recorded standards. [1] Johnny Green's "Body and Soul" was used in a Broadway show and became a hit after Coleman Hawkins's 1939 recording. It is the most recorded jazz standard of all time. [2] In the 1930s, swing jazz emerged as a dominant form in American music.
Body and Soul is an album by the jazz tenor saxophonist Coleman Hawkins, including recordings made between 1939 and 1956. It takes its name from one of Hawkins' most famous performances – a 1939 recording of "Body and Soul". The album also contains a 1956 recording of the same piece.
One of the most famous and influential takes was recorded by Coleman Hawkins and His Orchestra on October 11, 1939, at their only recording session for Bluebird, a subsidiary of RCA Victor. The recording is unusual in that the song's melody is only hinted at in the recording; Hawkins' two-choruses of improvisation over the tune's chord ...