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Le Hobbit: Daniel Lauzon Paris: Christian Bourgois éditeur. 2012. ISBN 978-2-267-02401-2. Contains both maps with place-names in French; the runes are translated. West Frisian: 2009 De Hobbit: Anne Tjerk Popkema Leeuwarden: Uitgeverij Elikser. 2009. ISBN 90-8954-112-8. Galician: 2000 Ó hobbit: Moisés R. Barcia Vigo: Edicións Xerais de ...
J. R. R. Tolkien's design for his son Christopher's contour map on graph paper with handwritten annotations, of parts of Gondor and Mordor and the route taken by the Hobbits with the One Ring, and dates along that route, for an enlarged map in The Return of the King [5] Detail of finished contour map by Christopher Tolkien, drawn from his father's graph paper design.
It provides many maps at different levels of detail, from whole lands to cities and individual buildings, and of major events like the Battle of the Pelennor Fields. The maps are grouped by period, namely the First, Second, and Third Ages of Middle-earth, with chapters on The Hobbit and The Lord of the Rings. A final chapter looks at geographic ...
Tolkien prepared several maps of Middle-earth. Some were published in his lifetime. The main maps are those published in The Hobbit, The Lord of the Rings, The Silmarillion, and Unfinished Tales, and appear as foldouts or illustrations. Tolkien insisted that maps be included in the book for the benefit of readers, despite the expense involved.
The following outline is provided as an overview of and topical guide to the real-world history and notable fictional elements of J. R. R. Tolkien's fantasy universe.It covers materials created by Tolkien; the works on his unpublished manuscripts, by his son Christopher Tolkien; and films, games and other media created by other people.
J. R. R. Tolkien accompanied his Middle-earth fantasy writings with a wide variety of non-narrative materials, including paintings and drawings, calligraphy, and maps.In his lifetime, some of his artworks were included in his novels The Hobbit and The Lord of the Rings; others were used on the covers of different editions of these books, and later on the cover of The Silmarillion.
The Tolkien scholar Tom Shippey notes that in The Hobbit, the lonely mountain is a symbol of adventure, and the "true end" of the story is the moment when Bilbo looks back from a high pass and sees "There far away was the Lonely Mountain on the edge of eyesight. On its highest peak snow yet unmelted was gleaming pale.
J. R. R. Tolkien's fantasy novel The Lord of the Rings has been translated, with varying degrees of success, many times since its publication in 1954–55. Known translations are listed here; the exact number is hard to determine, for example because the European and Brazilian dialects of Portuguese are sometimes counted separately, as are the Nynorsk and Bokmål forms of Norwegian, and the ...