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Lester himself makes a brief cameo as an annoyed bystander. John Barry contributed the jazzy score, which features a memorable organ solo by Alan Haven. Jane Birkin, Charlotte Rampling, and Jacqueline Bisset all made their first cinematic appearances in the film as extras, together with Top of the Pops disc girl Samantha Juste.
The Bed Sitting Room is a 1969 British black comedy film directed by Richard Lester, starring an ensemble cast of British comic actors, and based on the play of the same name. It was entered into the 19th Berlin International Film Festival. [2] The film is an absurdist, post-apocalyptic, satirical black comedy.
Fort Tilden is a 2014 American independent comedy film, written and directed by Sarah-Violet Bliss and Charles Rogers, starring Bridey Elliott, Clare McNulty, Neil Casey, Alysia Reiner, and Peter Vack. The film had its world premiere at SXSW on March 8, 2014, where it won that year's Grand Jury Award.
The Running Jumping & Standing Still Film is a 1959 British experimental sketch comedy short film directed by Richard Lester and Peter Sellers, in collaboration with Bruce Lacey. [ 2 ] It was filmed over two Sundays in 1959, at a cost of around £70 (equivalent to £2,057 in 2023) (including £5 for the rental of a field).
The Ritz is a 1976 British-American comedy farce film directed by Richard Lester based on the 1975 play of the same name by Terrence McNally.Actress Rita Moreno – who had won a Tony Award for her performance as Googie Gomez in the Broadway production – and many others from the 1975 original cast, such as Jack Weston, Jerry Stiller, and F. Murray Abraham, reprised their stage roles in the ...
Dynamic Duos. Buddy movies stretch back to the days of Laurel and Hardy but the formula hit its stride in the 1980s with the success of films like “Stir Crazy,” “48 Hrs,” and “Planes ...
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Hal Roach's Streamliners are a series of featurette comedy films created by Hal Roach that are longer than a short subject and shorter than a feature film, not exceeding 50 minutes in length. [1] Twenty of the 29 features that Roach produced for United Artists were in the streamliner format. [1] They usually consisted of five 10-minute reels. [2]