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In late 1966, "Sunday Morning" was the final song to be recorded for The Velvet Underground & Nico.It was requested by Tom Wilson, who thought the album needed another song with lead vocals by Nico with the potential to be a successful single.
The Velvet Underground & Nico (1967) Live recordings: October 16, 1969 ; November 7, 1969 (The Quine Tapes) August 23, 1970 (Live at Max's Kansas City) Released as the b-side to "Sunday Morning" in 1966. "Ferryboat Bill" Studio recording: Another View (1986) "Foggy Notion" Studio recording: VU (1985) Live recording: November 8, 1969 (The Quine ...
Nico was forced out of the group, and began a career as a solo artist. Her debut solo album, Chelsea Girl, was released in October 1967, featuring some songs written by Velvet Underground members. [91] Tom Wilson continued working with the Velvet Underground, producing their 1968 album White Light/White Heat [92] and Nico's Chelsea Girl. [93]
The album was recorded primarily in Scepter Studios in New York City during April 1966, but for reasons unclear, some songs were rerecorded at TTG Studios in Los Angeles, along with the new song "Sunday Morning", later in the year with Tom Wilson producing. The album was released by Verve Records the following year in March 1967.
The discography of the American rock band The Velvet Underground consists of five studio albums, six live albums, 14 compilation albums, six box sets and eleven singles.. The first line-up was formed in New York City consisting of Lou Reed on vocals and guitar, John Cale on several instruments (viola, keyboards and bass), Sterling Morrison on guitar and bass and Angus MacLise on percussion ...
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Sunday Morning" (from The Velvet Underground & Nico, 1967) "I'm Waiting for the Man" (from The Velvet Underground & Nico) "Venus in Furs" (from The Velvet Underground & Nico) "Candy Says" (from The Velvet Underground, 1969) "Pale Blue Eyes" (from The Velvet Underground) "Beginning to See the Light" (from The Velvet Underground)
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