Ad
related to: old masters wiping stain directions instructions printable free
Search results
Results From The WOW.Com Content Network
The wiping leaves ink in the incisions. You may also use a folded piece of organza silk to do the final wipe. If copper or zinc plates are used, then the plate surface is left very clean and therefore white in the print. If steel plate is used, then the plate's natural tooth gives the print a grey background similar to the effects of aquatinting.
An old master print (also spaced masterprint) is a work of art produced by a printing process within the Western tradition (mostly by Old Masters).
In art history, "Old Master" (or "old master") [1] [2] refers to any painter of skill who worked in Europe before about 1800, or a painting by such an artist. An "old master print" is an original print (for example an engraving, woodcut, or etching) made by an artist in the same period. The term "old master drawing" is used in the same way.
Paper (typically pages from old phone books) may be used for a final wipe of the lightest areas of the image. Some printmakers will use their bare hand instead to wipe these areas. Once the desired amount of ink is removed, the plate is run through an etching press along with a piece of dampened paper to produce a print.
Another factor in stain removal is the fact that stains can sometimes comprise two separate staining agents, which require separate forms of removal. A machine oil stain could also contain traces of metal, for example. [1] Also of concern is the color of the material that is stained.
Titian, Bacchus and Ariadne, 1523 Rembrandt van Rijn, Belshazzar's Feast, 1635 Johannes Vermeer, The Milkmaid, 1657-58. Lead-tin yellow is a yellow pigment, of historical importance in oil painting, [1] sometimes called the "Yellow of the Old Masters" because of the frequency with which it was used by those famous painters.
AOL latest headlines, entertainment, sports, articles for business, health and world news.
The Strossmayer Gallery of Old Masters opened in November 1884, named after its founder, Josip Juraj Strossmayer, the bishop of Đakovo.The Academy itself, with the bishop as patron, had been founded in 1866 and had moved into its specially built premises in the Zrinevac park in 1880, with a floor reserved to house the bishop's art collection.