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The Jacobean era was the period in English and Scottish history that coincides with the reign of James VI of Scotland who also inherited the crown of England in 1603 as James I. [1] The Jacobean era succeeds the Elizabethan era and precedes the Caroline era.
Robert Johnson (c. 1583 – 1633) was an English composer and lutenist of the late Tudor and early Jacobean eras. He is sometimes called "Robert Johnson II" to distinguish him from an earlier Scottish composer. [citation needed] Johnson worked with William Shakespeare providing music for some of his later plays.
James IV was said to be constantly accompanied by music, but very little surviving secular music can be unequivocally attributed to his court. [11] An entry in the accounts of the Lord Treasurer of Scotland indicates that when James IV was at Stirling on 17 April 1497, there was a payment "to twa fithalaris [fiddlers] that sang Greysteil to the ...
14–16 January – Hampton Court Conference with James I, the Anglican bishops and representatives of Puritans. Work begins on the Authorized King James Version of the Bible [4] and revision of the Book of Common Prayer. 17 February – James I issues an order for all Jesuits and Roman Catholic priests to leave his kingdom by March 19. [20]
John Ramsay, 1st Earl of Holderness (c. 1580 – January 1626), known as Sir John Ramsay between 1600 and 1606, and as the Viscount of Haddington between 1606 and 1621, was an important Scottish aristocrat of the Jacobean era, best known in history as the first favourite of James I when he became king of England as well as Scotland in 1603.
The notion of the 'Castalian band' in 20th-century scholarship derives in the main from a 1969 book by Helena Mennie Shire. [2] It was H. Mennie Shire and her collaborator Kenneth Elliot – who had produced The Music of Scotland (Cambridge 1964) – who drew particular attention to the verse lines by James, remarking that "It has been well suggested that King James' name for his poets at ...
The Hampton Court Conference was a meeting in January 1604, convened at Hampton Court Palace, for discussion between King James I of England and representatives of the Church of England, including leading English Puritans. The conference resulted in the 1604 Book of Common Prayer and, in 1611, the King James Version of the Bible.
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]