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Dance patterns may be described according to combinations of quick and slow steps and often by the rhythm or meter of the music, for example waltz steps (three-count step patterns danced to waltz music), swing steps (four-count patterns danced to swing music), polka steps (four-count patterns danced to polka music), and shuffle steps (four ...
Natural turn" and "reverse turn" are names of syllabus figures in waltz, Viennese waltz, foxtrot, quickstep. In addition, the words "natural" and "reverse" are used in some other figures that amount to turning to the right or left, respectively, e.g. natural twist turn in tango and foxtrot. The name "natural" has two explanations.
Fleckerls are danced clockwise or counter-clockwise (natural or reverse), and the basic shape lasts for six steps (two three-note bars). The leader crosses his foot in front on steps 1 and 3, while crossing behind on step 5 and to the side on 2, 4 and 6, creating the pattern: in front, side, in front, side, behind, side.
The Viennese waltz is a rotary dance where the dancers are constantly turning either in a clockwise ("natural") or counter-clockwise ("reverse") direction interspersed with non-rotating change steps to switch between the direction of rotation. A true Viennese waltz consists only of turns and change steps.
Box step is a basic dance step named after the pattern it creates on the floor, which is that of a square or box. It is used in a number of American Style ballroom dances: rumba, [1] waltz, [2] bronze-level foxtrot. While it can be performed individually, it is usually done with a partner. This is the most common dance step in the waltz.
The leader steps forward on either foot whilst the follower steps backward on the opposing foot (e.g.: the leader steps forward on their right foot whilst the follower steps back on their left). Both partners will then step to the side on the other foot, and conclude the figure by closing the first foot beside the second (hence the name "closed ...
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Cross-step waltz evolved in the early 20th century. In 1914, the "Cross Walk Boston" waltz created by Frank H. Norman foreshadowed the cross-step waltz. In the Cross Walk Boston, the Lead crossed his left foot over his right, stepped right with his right foot, and closed left to right. This was then repeated with the right foot. [1]