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A tintype, also known as a melanotype or ferrotype, is a photograph made by creating a direct positive on a thin sheet of metal, colloquially called 'tin' (though not actually tin-coated), coated with a dark lacquer or enamel and used as the support for the photographic emulsion. It was introduced in 1853 by Adolphe Alexandre Martin in Paris. [1]
The cost of this metal, however, also started to rise and eventually around 1930 the process was abandoned in favor of more economical alternatives. In recent years, a handful of photographers have taken up the art of mixing platinum and palladium and printing fine art prints with those chemicals, despite its cost.
In photography, toning is a method of altering the color of black-and-white photographs. In analog photography, it is a chemical process carried out on metal salt-based prints, such as silver prints, iron-based prints (cyanotype or Van Dyke brown), or platinum or palladium prints. This darkroom process cannot be performed with a color photograph.
Steel plates can be case hardened to ensure that they can print thousands of times with little wear. The copper plates used in traditional engraving and etching, which are softer and so much easier to work cannot be case hardened but can be steel-faced or nickel-plated by electroplating to increase the number of impressions that could be printed.
Parmelian Prints of the High Sierras is a portfolio of 18 silver gelatin photographic prints made by Ansel Adams in 1927. It was the first publication of a portfolio of his prints, produced not long after he decided to become a professional photographer, and has since been called "a landmark work in twentieth-century photography." [2]
Photographic prints can be produced from reversal film transparencies, but positive-to-positive print materials for doing this directly (e.g. Ektachrome paper, Cibachrome/Ilfochrome) have all been discontinued, so it now requires the use of an internegative to convert the positive transparency image into a negative transparency, which is then ...
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