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Different designs of progressive lenses have more or less of this distortion. Fitting: Progressive lenses require careful placement relative to the wearer's pupil centre for a distance-viewing reference position. Incorrect specification of the fitting location can cause problems for the wearer including (depending on the design of the lens ...
The design of a fixed focal length lens (also known as prime lenses) presents fewer challenges than the design of a zoom lens. A high-quality prime lens whose focal length is about equal to the diameter of the film frame or sensor may be constructed from as few as four separate lens elements, often as pairs on either side of the aperture diaphragm.
Anti-reflection coating of lenses to reduce transmission losses. May also stand for meter coupling or meter-coupled lenses. Whilst being a generic term, the designation in the latter meaning is mostly used to describe a generation of Minolta SR-mount lenses implementing this feature. MDF or MFD: Minimum Focusing Distance. Minimum distance from ...
Different kinds of camera lenses, including wide angle, telephoto and speciality. A camera lens, photographic lens or photographic objective is an optical lens or assembly of lenses (compound lens) used in conjunction with a camera body and mechanism to make images of objects either on photographic film or on other media capable of storing an image chemically or electronically.
Adjustable focus lenses, like single-focus lenses, also reduce image-jump and spatial distortion in the field of view associated with traditional multi-focal lenses. Additionally, the ideal near-vision correction can be achieved with precision, because the variable lenses emulate the focusing action of the youthful (non-presbyopic) eye.
As new technologies and manufacturing processes were being developed, the research efforts concerning Varilux continued. In 1988, the result came with Varilux Multi-Design, or VMD. [11] The Multi-Design concept was a first stage of personalization of the progressive lens, a specific optimum design for each age class of the presbyopic wearer. [12]
A "slow" lens (one that is not capable of passing a lot of light through) might have a maximum aperture from 5.6 to 11, while a "fast" lens (one that can pass more light through) might have a maximum aperture from 1 to 4. Fast lenses are, by definition, larger than slow lenses (for comparable focal length), and typically cost more. [2]
Enlarger lenses, like the dialyte construction, are generally symmetrical in design or nearly so, optimised for sharp focus at 2x to 10x magnification. [1] The light passes through a film holder, which holds the exposed and developed photographic negative or transparency. Prints made with an enlarger are called enlargements.
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