Search results
Results From The WOW.Com Content Network
The second movement, known for its prominent and frequent use of a motif from the Dies Irae chant, has been associated with the imagery of Orpheus taming the Furies (represented, respectively, by the piano and unison strings) at the gates to Hades, a suggestion of Beethoven's 1859 biographer Adolf Bernhard Marx. [10]
The overture to the 1874 revision is a 393-bar piece, in which Jupiter's minuet and John Styx's song recur, interspersed with many themes from the score including "J'ai vu le Dieu Bacchus", the couplets "Je suis Vénus", the Rondeau des métamorphoses, the "Partons, partons" section of the Act 2 finale, and the Act 4 galop.
L'Orfeo (SV 318) (Italian pronunciation: [lorˈfɛːo]), or La favola d'Orfeo [la ˈfaːvola dorˈfɛːo], is a late Renaissance/early Baroque favola in musica, or opera, by Claudio Monteverdi, with a libretto by Alessandro Striggio.
[2] The story of the opera follows the Greek legend of Orpheus, who descends to Hades to persuade the gods of the Underworld to allow him to bring his dead bride, Eurydice, back to the living world. His plea is granted, on the condition that he does not look back while leading Eurydice out of Hades.
Orpheus Playing the Violin, 17th-century painting by Cesare Gennari. Operas based on the Orphean myths, and especially the story of Orpheus' journey to the underworld to rescue his wife, Eurydice, were amongst the earliest examples of the art form and continue to be written into the 21st century.
Piano Concerto No. 1, ... Orpheus In Hades, Galop Jacques Offenbach. 11. Trisch-Trasch Polka ... "Overture" to Suite No. 2 from Daphnis et Chloé Ballet [1912]
Orfeo ed Euridice ([orˈfɛ.o e.d‿ewˈri.di.t͡ʃe]; French: Orphée et Eurydice; English: Orpheus and Eurydice) is an opera composed by Christoph Willibald Gluck, based on the myth of Orpheus and set to a libretto by Ranieri de' Calzabigi.
Emerson Overture for Piano and Orchestra or Emerson Concerto (1911–12, incomplete, but re-used for the first movement of Piano Sonata No.2) Matthew Arnold Overture (1912, inc.) Overture and March: 1776 (1904, rev. 1910; re-used in "Putnam's Camp" from Three Places in New England and Holidays Symphony)