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The earliest known text is a Broadside ballad titled "The nightingale's song: or The soldier's rare musick, and maid's recreation" published between 1689 and 1709 by W Onley of London, in the Bodleian Ballad Collection. [9] This text has a pious moral at the end which both later publishers and traditional singers dispensed with. [10] [11]
Ich have siked moni syk lemmon for þin ore. Me nis love never þe ner ant þat me reweþ sore. Suete lemmon þench on me—ich have loved þe ore. Suete lemmon y preye þe of love one speche, Whil y lyve in world so wyde oþer nulle y seche. Wiþ þy love my suete leof mi blis þou mihtes eche, A suete cos of þy mouþ mihte be my leche.
The nightingale's song within the poem is connected to the art of music in a way that the urn in "Ode on a Grecian Urn" is connected to the art of sculpture. As such, the nightingale would represent an enchanting presence and, unlike the urn, is directly connected to nature. As natural music, the song is for beauty and lacks a message of truth.
The first scene shows the Nightingale singing (or in this case, dancing) for the Emperor of China, who is pleased. In the music, the song of the nightingale is chromatic and swooping, it sounds free and natural, like the song of a bird. The second scene introduces the gift of the mechanical nightingale from the Emperor of Japan. All are ...
The book evokes the same cynicism about nationalism, but in a Canadian context. Tom Clancy 's 1987 novel Patriot Games and the 1992 film based on the novel are named for the song. The song features heavily in Martin McDonagh 's play The Lieutenant of Inishmore , where it is used to comment on the character's misunderstanding of IRA splinter groups.
The Nightingale and the Rose, 1994 chamber opera after Wilde, by Elena Firsova "The Rose and the Nightingale", 1996 impromptu for piano by Ian Venables; The Nightingale and the Rose, 2007 ballet by Christopher Wheeldon to music by Bright Sheng; The Nightingale and the Rose, 2016 chamber opera by Bertie Baigent; In film
"Arthur McBride" – an anti-recruiting song from Donegal, probably originating during the 17th century. [1]"The Recruiting Sergeant" – song (to the tune of "The Peeler and the Goat") from the time of World War 1, popular among the Irish Volunteers of that period, written by Séamus O'Farrell in 1915, recorded by The Pogues.