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[[Category:Egyptian hieroglyphics templates]] to the <includeonly> section at the bottom of that page. Otherwise, add <noinclude>[[Category:Egyptian hieroglyphics templates]]</noinclude> to the end of the template code, making sure it starts on the same line as the code's last character.
for bjt (only in "king of lower Egypt" (bjt)) This hieroglyphic shows the very important hieroglyphic for bee, that stands also for honey. It is found very often on pharaonic naming-inscriptions-(as the combined term: Nesu-bity), because this hieroglyphic is a symbol for Lower Egypt together with the sedge, the symbol that stands for Upper Egypt, showing the domination of the Pharaohs over ...
Egyptian hieroglyphic writing does not normally indicate vowels, unlike cuneiform, and for that reason has been labelled by some as an abjad, i.e., an alphabet without vowels. Thus, hieroglyphic writing representing a pintail duck is read in Egyptian as sꜣ, derived from the main consonants of the Egyptian word for this duck: 's', 'ꜣ' and 't'.
Gardiner's sign list is a list of common Egyptian hieroglyphs compiled by Sir Alan Gardiner. It is considered a standard reference in the study of ancient Egyptian hieroglyphs. Gardiner lists only the common forms of Egyptian hieroglyphs, but he includes extensive subcategories, and also both vertical and horizontal forms for many hieroglyphs.
The ancient Egyptian child hieroglyph is part of the Egyptian Gardiner's Sign List hieroglyphs for the beginning core subgroup of Man and his Occupations. It relates to the child, and childhood, and has a version for the Pharaoh, as a child. The hieroglyphic equivalent of the child hieroglyph is nn as a phonogram.
In the table, each Gardiner ID (B5) and Gardiner letter (B) is an Anchor.It can be used to access the row directly: #B, #B5 (from within the page) List of Egyptian hieroglyphs#B, List of Egyptian hieroglyphs#B5 (from another page)
nḥ, nḥḥ 1. Egyp. bil. nḥ, for the bird; phon. for nḥ; 2. Ideas of petition, supplicate, beseech; for Egyptian language nḥ-t, nḥḥ-t, oil, unguent ...
Betrò uses the Libyan Palette as her extensive explanation of the City Plan.The Libyan Palette contains seven cities, fortress-protected; the seven cities are identified inside an approximate–circular–enclosure with iconography, with some signs to become hieroglyphs, and similarly identified externally with the similar hieroglyphic iconography, also to be used as hieroglyphs.