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Salt and light are images used by Jesus in the Sermon on the Mount, one of the main teachings of Jesus on morality and discipleship. [1] These images are in Matthew 5:13, 14, 15 and 16 [2] The general theme of Matthew 5:13–16 is promises and expectations, and these expectations follow the promises of the first part. [2]
Religious images in Christian theology have a role within the liturgical and devotional life of adherents of certain Christian denominations. The use of religious images has often been a contentious issue in Christian history. Concern over idolatry is the driving force behind the various traditions of aniconism in Christianity.
James Tissot, The Beatitudes Sermon, c. 1890, Brooklyn Museum. The Beatitudes (/ b i ˈ æ t ɪ tj u d z /) are blessings recounted by Jesus in Matthew 5:3–10 within the Sermon on the Mount in the Gospel of Matthew, and four in the Sermon on the Plain in the Gospel of Luke, followed by four woes which mirror the blessings.
Gallagher focuses on the "beat" of the sermon, and on how the consecutive structural elements of the sermon serve different persuasive aims. [15] Choiński suggests that the rhetorical success of the sermon consists in the use of the "deictic shift" that transported the hearers mentally into the figurative images of hell. [16]
Saint John the Baptist Preaching (also known as Sermon of Saint John Baptist) [1] is a 1562 oil-on-canvas painting of John the Baptist by Paolo Veronese, now in the Galleria Borghese in Rome. The painting depicts John the Baptist acting primarily and quite literally as a messenger for the coming of Jesus.
"City upon a hill" is a phrase derived from the teaching of salt and light in Jesus's Sermon on the Mount. [n 1] Originally applied to the city of Boston by early 17th century Puritans, it came to adopt broader use in political rhetoric in United States politics, that of a declaration of American exceptionalism, and referring to America acting as a "beacon of hope" for the world.