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The Rumberas film (in Spanish, Cine de rumberas) was a film genre that flourished in Mexico's Golden Age of Mexican cinema in the 1940s and 1950s. Its major stars were the so-called rumberas, dancers of Afro-Caribbean musical rhythms. The genre is a film curiosity, one of the most fascinating hybrids of the international cinema.
Juan Rogelio García García (August 4, 1897 – May 26, 1988), better known as Juan Orol, was a Spanish-born Mexican actor, film producer, director and screenwriter.Orol was a pioneer of the Mexican cinema's first talkies and one of the main promoters of the Rumberas film in the Golden Age of Mexican cinema.
Since its early days, the genre's popularity has been largely confined to Cuba, although its legacy has reached well beyond the island. In the United States, it gave its name to the so-called "ballroom rumba", or rhumba, and in Africa, soukous is commonly referred to as "Congolese rumba" (despite being actually based on son cubano).
Aventurera has the perfect industrial film ingredients that bind to the Rumberas film genre of the 1940s and 1950s: five intermediate sung (with the voices of Ana Maria Gonzalez and Pedro Vargas), three impossible musical numbers (created by Ninón Sevilla), an emblematic story of innocence and perversion.
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In 1945 she began her participation in the Rumberas film Rosalinda, with the famous rumba dancer María Antonieta Pons. In 1946, Barba starred in the successful film Humo en los ojos. In 1947, she participated in the film Gran Casino, Luis Buñuel's first film in Mexico, together with Jorge Negrete and Libertad Lamarque.
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In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]