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Detail of an Iranian jewel box decorated by khatam. Khātam (Persian: خاتم) is an ancient Persian technique of inlaying.It is a version of marquetry where art forms are made by decorating the surface of wooden articles with delicate pieces of wood, bone and metal precisely-cut intricate geometric patterns.
"Bahram Gor with the Indian Princess," Mohammad Zaman, 1675/76 [1]. Farangi-Sazi (Persian: فرنگیسازی, lit. 'making in an Occidental manner') was a style of Persian painting that originated in Safavid Iran in the second half of the 17th century.
Qajar art refers to the art, architecture, and art-forms of the Qajar dynasty of the late Persian Empire, which lasted from 1781 to 1925. The boom in artistic expression that occurred during the Qajar era was the fortunate side effect of the period of relative peace that accompanied the rule of Agha Muhammad Khan and his descendants.
Median man in Persepolis Persian realist Gouache painting of the Qajar dynasty and soldiers in 1850-1851. The arts of Iran are one of the richest art heritages in world history and encompasses many traditional disciplines including architecture, painting, literature, music, weaving, pottery, calligraphy, metalworking and stonemasonry.
The influence for Siyah Qalam’s paintings could include aspects of Turkmen, Chinese, Persian, and Mongolian culture, indicating an eastern provenance. [14] Despite speculation about the life and work of the painter, or painters, who painted in this style, the aesthetic and inspiration certainly originates from the various schools of painting ...
Safavid art is the art of the Iranian Safavid dynasty from 1501 to 1722, encompassing Iran and parts of the Caucasus and Central Asia. It was a high point for Persian miniatures , architecture and also included ceramics, metal, glass, and gardens.
Turkman style is a style in Persian miniature painting that emerged in the late 15th-century. The British art scholar Basil William Robinson coined the term in the 1950s to differentiate this style from a more polished style made in courts of Timurid and Turkman rulers.
Kamāl ud-Dīn Behzād (c. 1455/60–1535), also known as Kamal al-din Bihzad or Kamaleddin Behzād (Persian: کمالالدین بهزاد), was a Persian painter and head of the royal ateliers in Herat and Tabriz during the late Timurid and early Safavid eras. [1]