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The topos of "light and darkness" is also reflected in numerous titles in popular culture, such as Heart of Darkness (1899), Light in My Darkness (1927), Darkness and the Light (1942), Creatures of Light and Darkness (1969), Darkness to Light (1973), Darkness and Light (1989), The Lord of the Light and of the Darkness (1993), the Star Trek ...
The Separation of Light from Darkness is based on verses 3–5 from the first chapter of the Book of Genesis: 3 And God said, "Let there be light," and there was light. 4 God saw that the light was good, and he separated the light from the darkness. 5 God called the light "day," and the darkness he called "night." And there was evening, and ...
Chiaroscuro is used in cinematography for extreme low key and high-contrast lighting to create distinct areas of light and darkness in films, especially in black and white films. Classic examples are The Cabinet of Dr. Caligari (1920), Nosferatu (1922), Metropolis (1927) The Hunchback of Notre Dame (1939), The Devil and Daniel Webster (1941 ...
Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives like, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and ...
The first known instance of the phrase "a thousand points of light" appears in Arthur C. Clarke's short story "Rescue Party," initially published in Astounding Science-Fiction, May 1946: One entire wall of the control room was taken up by the screen, a great black rectangle that gave an impression of almost infinite depth.
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In works of art, literature, and narrative, a symbol is a concrete element like an object, character, image, situation, or action that suggests or hints at abstract, deeper, or non-literal meanings or ideas. [1] [2] The use of symbols artistically is symbolism. In literature, such as novels, plays, and poems, symbolism goes beyond just the ...
Through violence you may murder the hater, but you do not murder hate. In fact, violence merely increases hate. Returning violence for violence multiplies violence, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness; only light can do that. Hate cannot drive out hate; only love can do that. [10]