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Chrysostom: "Life having come to us, the empire of death is dissolved; a light having shone upon us, there is darkness no longer: but there remaineth ever a life which death, a light which darkness cannot overcome. Whence he continues, And the light shineth in darkness: by darkness meaning death and error, for sensible light does not shine in ...
According to this view, the light which streams into a dark space has no resistance from the darkness to overcome. Goethe pictures to himself that light and darkness relate to each other like the north and south pole of a magnet. The darkness can weaken the light in its working power. Conversely, the light can limit the energy of the darkness.
Turner uses concepts from Goethe's theory, which is a rejection of Newton's Seven Colour Theory, and expresses the belief that every colour is an individualised combination of light and darkness. Newton's reasoning in his theory of light and colour was, in the words of Michael Duck, too simplistic for Goethe.
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Light is defined as life, as seen in John 1:4, "In him was life; and the life was the light of men". Those who have faith through him will have eternal life. In John's Gospel, "darkness is present in the absence of light; the absence of eternal life," and darkness referring to death, spiritually. [5]
"Nightfall" [1] is a 1941 science fiction short story by the American writer Isaac Asimov about the coming of darkness to the people of a planet ordinarily illuminated by sunlight at all times. It was adapted into a novel with Robert Silverberg in 1990. The short story has appeared in many anthologies and six collections of Asimov stories.
[11] The term inward light was first used by early Friends to refer to Christ's light shining on them; the term inner light has also been used since the twentieth century to describe this Quaker doctrine. Rufus Jones, in 1904, wrote that: "The Inner Light is the doctrine that there is something Divine, 'Something of God' in the human soul". [12]
Hypostasis is an exegesis which adds new context to the original story. It explains the darkness in Genesis 1:2 as a shadow cast by the creation in Genesis 1:1. [125] The spirit of God moving over water is reinterpreted as Sophia looking down on water, [126] and the creation of light becomes Sophia's response to Yaldabaoth's arrogance. [32]