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  2. List of solo cello pieces - Wikipedia

    en.wikipedia.org/wiki/List_of_solo_cello_pieces

    Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...

  3. Category:Compositions for cello - Wikipedia

    en.wikipedia.org/.../Category:Compositions_for_cello

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  4. Cello sonata - Wikipedia

    en.wikipedia.org/wiki/Cello_sonata

    A cello sonata is piece written sonata form, often with the instrumentation of a cello taking solo role with piano accompaniment. [1] Some of the earliest cello sonatas were composed in the 18th century by Francesco Geminiani and Antonio Vivaldi, and since then other famous cello sonatas have grown to those by Johannes Brahms, Ludwig van Beethoven, and Sergei Rachmaninoff among others.

  5. List of compositions for cello and piano - Wikipedia

    en.wikipedia.org/wiki/List_of_compositions_for...

    Twelve Variations for cello & piano in F major on Mozart's "Ein Mädchen oder Weibchen," Op. 66 (1796) Twelve Variations for cello & piano in G major on Handel's "See, the Conqu'ring Hero comes," WoO 45 (1796) Seven Variations for cello & piano in E flat major on Mozart's "Bei Männern," WoO 46 (1801) Karol Beffa "Marmor" for cello and piano

  6. Dance (Clyne) - Wikipedia

    en.wikipedia.org/wiki/Dance_(Clyne)

    Dance has been highly praised by music critics. Andrew Clements of The Guardian described the piece as a "hugely impressive new cello concerto," adding, "There are moments in the first movement [...] which recall John Tavener's The Protecting Veil, as consoling, modal string chords underpin the soaring cello line, just as the rough motoric energy of the opening of the second movement ...

  7. Élégie (Fauré) - Wikipedia

    en.wikipedia.org/wiki/Élégie_(Fauré)

    The cello carries the main thematic material, with the piano providing a harmonically varied accompaniment. In the major-key middle section, the piano bears the melodic theme before it passes to the cello. The middle section ends with a forceful passage in which the piano and cello exchange vehement themes.