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The Lancashire Witches is the only one of William Harrison Ainsworth's forty novels that has remained continuously in print since its first publication. [1] It was serialised in the Sunday Times newspaper in 1848; a book edition appeared the following year, published by Henry Colburn .
The Lancashire Witches and Teague O'Divelly, the Irish Priest (1682) Bury Fair (1689) The Amorous Bigot, with the second part of Teague O'Divelly (1690) The Scowerers (1691) The Volunteers, or Stockjobbers, published posthumously (1693)
Pendle Hill from the northwest. On the right is the eastern edge of Longridge Fell, which is separated from Pendle Hill by the Ribble valley.. The accused witches lived in the area around Pendle Hill in Lancashire, a county which, at the end of the 16th century, was regarded by the authorities as a wild and lawless region: an area "fabled for its theft, violence and sexual laxity, where the ...
His Lancashire novels cover altogether 400 years and include The Lancashire Witches, 1848, Mervyn Clitheroe, 1857, and The Leaguer of Lathom. Jack Sheppard, Guy Fawkes, 1841, Old St Paul's, 1841, Windsor Castle, 1843, and The Lancashire Witches are regarded as his most successful novels. He was very popular in his lifetime (in the early decades ...
An illustration of Ann Redferne and Chattox, two of the Pendle witches, from Ainsworth's novel The Lancashire Witches. The Pendle witch trials of 1612 associated Lancashire with witchcraft in the popular imagination: this was particularly so in the nineteenth century after William Ainsworth's celebrated historical novel The Lancashire Witches (1848).
The Late Lancashire Witches belongs to a subgenre of English Renaissance drama that exploited public interest in the scandalous subject of witchcraft. The most famous of these plays is Shakespeare's Macbeth (c. 1603–6), though Middleton's The Witch (c. 1609–16) and The Witch of Edmonton (1621) by Thomas Dekker, John Ford, and William Rowley, are other notable examples.
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To commemorate the 400th anniversary of the trials of the Pendle witches, a new long-distance walking route called the Lancashire Witches Walk was created. Ten tercet waymarkers, designed by Stephen Raw, each inscribed with a verse of a poem by Carol Ann Duffy, were installed along the route, with the fourth located at the castle. [77] [78]