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Joseph Bishara (born July 26, 1970) is an American composer, music producer, and actor, best known for his work scoring films such as Insidious, 11-11-11, Dark Skies, and The Conjuring. Although his career began with the 1998 Biblical drama Joseph's Gift , he composes music for mainly horror and thriller films, and has collaborated several ...
After reading the script it turned out it was Bathsheba," said Bishara. [31] Because of his early involvement, Bishara was given more time to work out the musical palette of the film. "For whatever reason I was hearing brass clustering as an early response to the material, a quiet shimmering flutter tongue effect, and it grew from there", said ...
The Conjuring Universe Official franchise logo Created by James Wan Original work The Conjuring Owner Warner Bros. Entertainment Years 2013–present Based on Characters by Chad and Carey W. Hayes (de jure credited) The Conjuring Universe is an American horror franchise and shared universe centered on a series of supernatural horror films. The franchise is produced by New Line Cinema, Atomic ...
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Insidious is the soundtrack to the 2010 horror film of the same name, which is the first film in the Insidious film series.The film's musical score is composed by Joseph Bishara, who would become Wan's recurrent collaborator, scoring for The Conjuring Universe and other films in the franchise.
[16] In October 2019, Joseph Bishara—who composed the scores for The Conjuring, Annabelle, The Conjuring 2, The Curse of La Llorona and Annabelle Comes Home—was confirmed to be returning to score this third Conjuring film. [17] In December 2019, the film's official title, The Conjuring: The Devil Made Me Do It, was revealed. [18] [19]
The original musical score for The Conjuring 2 was written by Joseph Bishara and was released on June 3, 2016, by WaterTower Music. [36] [37] Bishara, a recurring collaborator of director James Wan, composed the score after having previously written the music for The Conjuring and the Insidious film series. [38]
Scott Foundas of Variety called that Bishara's score is "still doing basso profundo backflips even as the end credits are rolling". [4] Peter Hartlaub of SFGate wrote "The score by Joseph Bishara also shows early Hitchcock influences." [5] Drew Taylor of IndieWire called it as a "screeching score" that had a separate personality. [6]