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View a machine-translated version of the Italian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
In her article "Here's Looking at Me: Sofonisba Anguissola and the Problem of the Woman Artist" published in 1994, Garrard argued that this was a display of the artists wit. [1] By removing herself from the piece and instead attributing her work to a man, she is calling attention to the double standards of being a female artist during the 16 th ...
View a machine-translated version of the Italian article. Machine translation, like DeepL or Google Translate, is a useful starting point for translations, but translators must revise errors as necessary and confirm that the translation is accurate, rather than simply copy-pasting machine-translated text into the English Wikipedia.
Mana Aghaee; Catharina Ahlgren (1734–c. 1800); Lidiia Alekseeva (1909–1989) – translated the works of Croatian writer Ivan Gundulić into Russian; Francesca Alexander (1837–1917)
[34] [35] The name "bella-donna" comes from the two words bella and donna in the Italian language, meaning 'beautiful' and 'woman', respectively, [31] originating either from its usage as a cosmetic to beautify pallid skin, [36] or more probably, from its usage to increase the pupil size in women.
Madama Butterfly (Italian pronunciation: [maˈdaːma ˈbatterflai]; Madame Butterfly) is an opera in three acts (originally two) by Giacomo Puccini, with an Italian libretto by Luigi Illica and Giuseppe Giacosa.
"La Fornarina (The Portrait of a Young Woman) is a painting by the Italian High Renaissance master Raphael, made between 1518 and 1519. It is an oil-on-panel with 86 x 58 cm dimensions, located in Room IX of the Borghese Gallery.In Olimpia Aldobrandini's two inventories (1626 and 1682), the art work is attributed to Raphael.
La Bella Principessa (English: "The Beautiful Princess"), also known as Portrait of Bianca Sforza, Young Girl in Profile in Renaissance Dress and Portrait of a Young Fiancée, is a portrait in coloured chalks and ink, on vellum, of a young lady in fashionable costume and hairstyle of a Milanese of the 1490s. [1]