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Draper, James David. "Donatello (ca. 1386–1466)". In Heilbrunn Timeline of Art History. New York: The Metropolitan Museum of Art, 2000. (October 2002) "The Early Renaissance: 1400–1494." Web. 28 February 2010. Archived 4 March 2016 at the Wayback Machine; Kleiner, Fred S. Gardner's Art Through the Ages A Global History, Volume II. Belmont ...
The exact date of completion is unknown but it must have been finished before the death of Pope Martin V in 1431, who is known to have visited the completed tomb. Other indicators may push this date back significantly into the 1420s. [ 38 ]
The exact dates of Donatello's involvement are unclear, but it is usually placed after the return from exile of the Medicis in 1434, and Donatello's departure for Pisa in 1443/44, probably at the end of the 1430s.
Most scholars assume the statue was commissioned by Cosimo de' Medici, but the date of its creation is unknown and widely disputed; suggested dates vary from the 1420s to the 1460s (Donatello died in 1466), with the majority opinion recently falling in the 1440s, when the new Medici Palace (now called the Palazzo Medici Riccardi) designed by ...
The Sala di Donatello of the Bargello in Florence, the museum with the largest and best collection of Donatello's work. The following catalog of works by the Florentine sculptor Donatello (born around 1386 in Florence; died on December 13, 1466, in Florence) is based on the monographs by H. W. Janson (1957), Ronald Lightbown (1980), and John Pope-Hennessy (1996), as well as the catalogs of the ...
The Sculpture of Donatello. New Jersey: Princeton University Press, 1963 [1957]. Munman, Robert. Optical Corrections in the Sculpture of Donatello. Transactions of the American Philosophical Society 75, no. 2 (1984). Paoletti, John T.. The Siena Baptistry Font: A Study of an Early Renaissance Collaborative Program. New York: Garland Pub, 1979.
This is "formidably expressive" in a stark style found in Donatello's last years, and had been dated to around 1456, [2] or 1453–1455, until the date was found on the other figure; it is now dated generally to the late 1430s, or at any rate before Donatello went to Padua. [3]
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