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The very short final line of a paragraph composed of a single word (highlighted blue) is a runt. The first line of a paragraph beginning at the end of a page (highlighted green) is called an orphan (sometimes called a widow). The last line of a paragraph continuing on to a new page (highlighted yellow) is a widow (sometimes called an orphan).
If a paragraph is preceded by a title or subhead, the indent is superfluous and can therefore be omitted. [2] The Elements of Typographic Style states that "at least one en [space]" should be used to indent paragraphs after the first, [2] noting that that is the "practical minimum". [3] An em space is the most commonly used paragraph indent. [3]
Three short paragraphs on making gunpowder in the manuscript GNM 3227a (Germany, c. 1400); the first paragraph is marked with an early form of the pilcrow sign, the two following paragraphs are introduced with litterae notabiliores (enlarged letters).
Begin new paragraph: Pilcrow (Unicode U+00B6) ¶ no: Remove paragraph break: Caret [a] (Unicode U+2038, 2041, 2380) ‸ or ⁁ or ⎀ Insert # Insert space: Close up (Unicode U+2050) ⁐ Tie words together, eliminating a space: I was reading the news⁐paper this morning. ] [Center text] Move text right [Move text left: M̲: Insert em dash: N̲ ...
Paragraphs should be short enough to be readable, but long enough to develop an idea. Paragraphs should deal with a particular point or idea. All the sentences within a paragraph should revolve around the same topic. When the topic changes, a new paragraph should be started.
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Too short leaves the reader unsatisfied; too long is intimidating, difficult to read, and may cause the reader to lose interest halfway. These suggestions may be useful: The length should conform to readers' expectations of a short, but useful and complete, summary of the topic. Few well-written leads will be shorter than about 100 words.
The lengths of the paragraphs vary with short paragraphs intensifying the action. [49] Benson writes that in " Indian Camp " and "Big Two-Hearted River" Hemingway's prose was sharper and more abstract than in other stories, and that by employing simple sentences and diction—techniques he learned writing for newspapers—the prose is timeless ...