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Sitting kneel: where the thighs are near horizontal and the buttocks sit back on the heels with the upper body vertical - for example as in Seiza, Virasana, and Vajrasana (yoga) Taking a knee: where the upper body is vertical, one knee is touching the ground while the foot of the other leg is placed on the ground in front of the body
In humans, the anatomical position of the skull has been agreed by international convention to be the Frankfurt plane or Frankfort plane, a position in which the lower margins of the orbits, the orbitales, and the upper margins of the ear canals, the poria, all lie in the same horizontal plane. This is a good approximation to the position in ...
The account of Dhanurasana in the 15th century Hatha Yoga Pradipika is ambiguous about whether the pose is reclining or sitting, stating [1] Having held the big toes of both feet with both hands, one should pull [them] like a bow as far as the ears. This is called bow pose. (HYP 1.25) The 17th century Gheranda Samhita is similarly ambiguous ...
A 2019 eye tracking study, by showing that contrapposto acts as supernormal stimulus and increases perceived attractiveness, has provided evidence and insight as to why, in artistic presentation, goddesses of beauty and love are often depicted in contrapposto pose. [4] This was later supported in a neuroimaging study. [5]
The pose is a modern one, first seen in the 20th century. A pose with the name Uttānāsana is illustrated in the 19th century Sritattvanidhi but it is quite different from the modern pose (lying on the back, with elbows touching the knees and the hands behind the neck). [ 4 ]
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Ardha Matsyendrasana I, a commonly practised half form of the pose. For Ardha Matsyendrasana I, sit with one leg bent on the ground, the foot tucked in close to the body, and cross the other leg over across the body, the knee raised and bent, and the foot on the ground by the outside of the other leg. Twist the body and grasp the raised knee.
The painting represents an imaginary scene of a contemporary scientific demonstration, based on real life, and depicts the eminent French neurologist Jean-Martin Charcot (1825–1893) delivering a clinical lecture and demonstration at the Pitié-Salpêtrière Hospital in Paris (the room in which these demonstrations took place no longer exists at the Salpêtrière).