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As well as his father's ability, Thomas' younger brother Benjamin Barker II (1776–1838) was also a talented artist known for his landscape work. Benjamin II exhibited at the Royal Academy and many of his works were engraved by Thales Fielding in aquatint.
Katharine Cameron RWS RE (26 February 1874 – 21 August 1965) was a Scottish artist, watercolourist, and printmaker, best known for her paintings and etchings of flowers. [1] She was associated with the group of artists known as the Glasgow Girls .
Butler was a founding member of the Society of Independent Artists. Butler's chosen subjects were domestic scenes of family and friends and the French landscape. Although his Impressionistic approach to painting sometimes reflected the influence of his father-in-law, his work also suggests Post-Impressionist tendencies.
Little is known about Sisley's relationship with the paintings of J. M. W. Turner and John Constable, which he may have seen in London, but some have suggested that these artists may have influenced his development as an Impressionist painter, [7] as may have Gustave Courbet and Jean-Baptiste-Camille Corot.
Lake Avernus I (c. 1765). Richard Wilson RA (1 August 1714 – 15 May 1782) was an influential Welsh landscape painter, who worked in Britain and Italy.With George Lambert he is recognised as a pioneer in British art of landscape for its own sake [1] [2] and was described in the Welsh Academy Encyclopedia of Wales as the "most distinguished painter Wales has ever produced and the first to ...
Franz Albert Bischoff (January 14, 1864 – February 5, 1929) was an American artist known primarily for his China painting, floral paintings and California landscapes. He was born in Steinschönau, Austria (now known as Kamenický Šenov, Czech Republic). [1] He immigrated to the United States as a teenager where he became a naturalized citizen.
He was known as a modern nature artist and a public urban space designer. His work had a great influence on tropical garden design in the 20th century. Water gardens were a popular theme in his work. He was deftly able to transfer traditional artistic expressions such as graphic design, tapestry and folk art into his landscape designs. He also ...
The New York Times art critic Roberta Smith praised Wilson's recent work in 2009: "DC Moore Gallery is showing Jane Wilson's latest luminous landscapes, which may be her best. They relegate land or water to a low-lying narrow strip to let light and clouds work their soft magic.