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Classical music was also introduced during the British occupation. Cult folk musician Nick Drake was born in Burma during British rule. Rock music, called stereo in Burmese, has been a popular form of music since the 1980s, having been introduced in the 1960s. [10] Pop music emerged in the 1970s and was banned by state-run radio stations.
Mahāgīta (Burmese: မဟာဂီတ; from Pali: Mahāgīta; lit. ' great songs '), also rendered into Burmese as Thachingyi (Burmese: သီချင်းကြီး), is the complete body or corpus of Burmese classical songs. [1]
Copy thachin, or simply "copy music" is a genre of music in Myanmar that originates from the early 1980s. It merges the melody and instrumentals of international songs with Burmese vocals. Proponents of copy thachin argue that the style is separate from cover songs due to it having unique vocal arrangements and lyrics. [1]
On 27 June 1936, the Dobama Song was declared as the national anthem of Burma at the second conference of Dobama Asiayon held in Myingyan. [6] Since then, Burmese nationalist sang Dobama Song instead of God Save the King. The State of Burma, a Japanese puppet state, officially adopted the Dobama Song as its state anthem in 1943. [7]
Pages in category "Music of Myanmar" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. ...
Hsaing waing ensemble is seen behind the singers. The hsaing waing (Burmese: ဆိုင်းဝိုင်း, pronounced [sʰáiɰ̃ wáiɰ̃]; also spelt saing waing), commonly dubbed the Burmese traditional orchestra (မြန်မာ့ဆိုင်း), is a traditional Burmese folk musical ensemble that accompanies numerous forms of rituals, performances, and ceremonies in modern ...
The song contains a description of Thingyan sense on Mandalay Hill and Nandar Lake. The song was selected as one of the greatest Thingyan theme songs of all time. [2] [3] Since "Man Taung Yeik Kho" song was a national legacy song of Thingyan festival, as the saying goes, "Thingyan will not be complete without Man Taung Yeik Kho ". [4]
She is most famous for her Burmese covers of Euro disco and American rock and pop songs as well as classic Burmese songs from the pre- and post-war eras. May Sweet was the dominant female singer of Burmese pop music from the late 1970s to the 1980s, bridging popular singers from the 1970s like Nwe Yin Win and L Khun Yi to Maykhala , her main ...