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Opera Composer Aria 100 The Bohemian Girl: Balfe "I Dreamt I Dwelt in Marble Halls" 99 Parsifal: Wagner Prelude 98 The Magic Flute: Mozart "Der Vogelfänger bin ich ja" (Birdcatcher's Aria) 97 The Abduction from the Seraglio: Mozart "O, wie will ich triumphieren" (Osmin's Aria) 96 Casanova: J. Strauss II/Benatzky "O Madonna, auf uns sieh" (Nuns ...
Inspired by the folklore of Dalmatian hinterland, to the point where the boundary between the folklore and "classical music" ceases to exist, it is considered to be the best and most performed Croatian opera of all time. 1935 Die schweigsame Frau (Strauss). A comic opera based on a play by Ben Jonson. [202] 1935 Porgy and Bess (George Gershwin ...
A catalogue aria is a genre of opera aria in which the singer recounts a list of information (people, places, food, dance steps, etc.) that was popular in Italian comic opera in the latter half of the eighteenth and early nineteenth centuries.
"A Bird's Eye View of the World's Chief Opera Composers" in The Oxford Companion to Music by Percy Scholes (10th edition revised by John Owen Ward, 1970). ISBN 0-19-311306-6. Composers with recordings included in The Penguin Guide to Opera on Compact Discs ed. Greenfield, March and Layton (1993 edition) ISBN 0-14-046957-5.
"Ella giammai m'amò" is an aria for bass from Verdi's opera Don Carlos (1867). [1] It is one of the most famous Italian arias for bass, and is often performed in recitals and featured in anthologies for bass singers.
La bohème is one of the most popular operas, and "Che gelida manina", being the best-known tenor aria of the opera, is consequently one of the most recorded arias by tenors. Between 1900 and 1980, almost 500 tenors recorded this aria in at least seven different languages. [ 10 ]
No movie or TV show has ever received a perfect 10/10 score. According to the IMDb Top 250, the film that came the closest is The Shawshank Redemption, with a rating of 9.3 and almost 3 million votes.
Two decades later, on 10 February 1955, it was performed at the Metropolitan Opera in New York with Eleanor Steber in the title role. The Met has given numerous performances of the work since that date. [3] At the 2008 Helpmann Awards, the production by Opera Australia won the Award for Best Opera. [4]