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  2. Boundary microphone - Wikipedia

    en.wikipedia.org/wiki/Boundary_microphone

    One method to create a directional boundary mic is to mount panels (hard surfaces) next to an omnidirectional mic capsule. Another method to create a directional boundary mic is to use a small-diameter (1 cm or less) directional mic capsule mounted on a boundary surface, with the axis of the microphone parallel with the surface.

  3. Microphone - Wikipedia

    en.wikipedia.org/wiki/Microphone

    An omnidirectional (or nondirectional) microphone's response is generally considered to be a perfect sphere in three dimensions. In the real world, this is not the case. As with directional microphones, the polar pattern for an "omnidirectional" microphone is a function of frequency.

  4. Microphone array - Wikipedia

    en.wikipedia.org/wiki/Microphone_array

    Typically, an array is made up of omnidirectional microphones, directional microphones, or a mix of omnidirectional and directional microphones distributed about the perimeter of a space, linked to a computer that records and interprets the results into a coherent form. Arrays may also be formed using numbers of very closely spaced microphones.

  5. Proximity effect (audio) - Wikipedia

    en.wikipedia.org/wiki/Proximity_effect_(audio)

    The proximity effect in audio is an increase in bass or low frequency response when a sound source is close to a directional or cardioid microphone. [1] [2] Proximity effect is a change in the frequency response of a directional pattern microphone that results in an emphasis on lower frequencies. It is caused by the use of ports to create ...

  6. RCA Type 77-DX microphone - Wikipedia

    en.wikipedia.org/wiki/RCA_Type_77-DX_microphone

    The directionality of the 77-DX is variable. A rotating backshutter on the acoustic labyrinth, controlled by a screwdriver-operated slot at the rear of the microphone, allows the user to vary the microphone's pattern from omnidirectional in the fully closed position, to cardioid, to figure-8 (bidirectional) in the fully open position.

  7. Surround sound - Wikipedia

    en.wikipedia.org/wiki/Surround_sound

    Outrigger omnidirectional microphones, low-pass filtered at 250 Hz, are spaced 3 meters apart in line with the L and R cardioids. These compensate for the bass roll-off of the cardioid microphones and also add expansiveness. [27] A 3-meter spaced microphone pair, situated 2–3 meters behind the front array, is used for the surround channels. [24]