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The Buddha is always represented with certain physical attributes, and in specified dress and specified poses. Each pose, and particularly the position and gestures of the Buddha's hands, has a defined meaning which is familiar to Buddhists. In other Buddhist countries, different but related iconography is used, for example the mudras in Indian ...
The earliest Buddhist art is from the Mauryan era (322 BCE – 184 BCE), there is little archeological evidence for pre-Mauryan period symbolism. [6] Early Buddhist art (circa 2nd century BCE to 2nd century CE) is commonly (but not exclusively) aniconic (i.e. lacking an anthropomorphic image), and instead used various symbols to depict the Buddha.
Mudra is used in the iconography of Hindu and Buddhist art of the Indian subcontinent and described in the scriptures, such as Nātyaśāstra, which lists 24 asaṁyuta ("separated", meaning "one-hand") and 13 saṁyuta ("joined", meaning "two-hand") mudras. Mudra positions are usually formed by both the hand and the fingers.
In Thailand and Laos, this mudra is associated with the Walking Buddha, often shown having both hands making a double abhayamudra that is uniform. Statue of Vishnu, Berlin, left hand depicting the abhayamudra. The abhayamudra was probably used before the onset of Buddhism as a symbol of good intentions proposing friendship when approaching ...
Abhaya Buddha Mudra – Amoghsiddhi: Abhaya mudra represents the hand gesture of fearlessness and protection. The gesture of fearlessness and protection, usually shown as the left hand with palm turned outward and all fingers extended upwards. The symbolic meaning of the dispelling fear pose is an interpretation of the action of preaching.
Similar wheel symbols were used as a solar symbol by the Ancient Egyptians. [32] Some Buddha statues also depict the related Dharmachakra Mudrā, a hand sign depicting the turning of the Dharma wheel. A very similar wheel symbol also appears in the flag of the Romani people, hinting to their nomadic history.
Amitābha can often be distinguished by his mudrā: Amitābha is often depicted, when shown seated, displaying the meditation mudrā (thumbs touching and fingers together as in the Great Buddha of Kamakura (鎌倉大仏) at Kōtoku-in or the exposition mudrā, while the earth-touching mudrā (right hand pointed downward over the right leg, palm ...
Vairocana, the first Dhyani Buddha, embodying sovereignty and occupying the center, [7] is a special case (in any case, he is distinct from Gautama and not normally confused with him). He was one of the Buddhas of Bamiyan blown up by the Taliban which China mourned and tried to replace with the world's tallest statue, named Spring Temple Buddha ...