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Polonius instructs Ophelia to stand in the lobby of the castle while he and Claudius hide. Hamlet approaches Ophelia and talks to her, saying "Get thee to a nunnery." Hamlet asks Ophelia where her father is; she lies to him, saying her father must be at home. Hamlet realises he is being spied upon.
Polonius forces Ophelia to return Hamlet's love letters to the prince while he and Claudius secretly watch in order to evaluate Hamlet's reaction. Hamlet is walking alone in the hall as the King and Polonius await Ophelia's entrance. Hamlet muses on thoughts of life versus death. When Ophelia enters and tries to return Hamlet's things, Hamlet ...
Hamlet caresses Ophelia and kisses her fingers and arm. Then, alone, Hamlet says: "Now, Horatio, you are mine". Part four: Hamlet's antagonistic feelings towards Ophelia leak out: the prince brushes her off in person and writes a letter calling her a numbskull. Hamlet's father urges the prince to avenge him in a dream.
Eliot writes that Hamlet's state of mind is a direct result of his confused emotions and the lack of external representation for these emotions in an objective correlative. He goes on to say that Hamlet's initial conflict is a disgust in his mother, but his feelings regarding the situation are too complex to be represented by Gertrude alone ...
Claudius' speech is full of rhetorical figures, as is Hamlet's and, at times, Ophelia's, while Horatio, the guards, and the gravediggers use simpler methods of speech. Claudius demonstrates an authoritative control over the language of a King, referring to himself in the first person plural, and using anaphora mixed with metaphor that hearkens ...
Eliot uses Lady Macbeth's state of mind as an example of the successful objective correlative: "The artistic 'inevitability' lies in this complete adequacy of the external to the emotion….", as a contrast to Hamlet. According to Eliot, the feelings of Hamlet are not sufficiently supported by the story and the other characters surrounding him.
Hamlet and Oedipus is a study of William Shakespeare's Hamlet in which the title character's inexplicable behaviours are subjected to investigation along psychoanalytic lines. [ 1 ]
In Act II, Hamlet refers to Polonius as a "tedious old fool" [3] and taunts him as a latter day "Jephtha". [4] Polonius connives with Claudius to spy on Hamlet. Hamlet unknowingly kills Polonius, provoking Ophelia's descent into madness, ultimately resulting in her (probable) suicide and the climax of the play: a duel between Laertes and Hamlet.