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Japanese pottery strongly influenced British studio potter Bernard Leach (1887–1979), who is regarded as the "Father of British studio pottery". [31] He lived in Japan from 1909 to 1920 during the Taishō period and became the leading western interpreter of Japanese pottery and in turn influenced a number of artists abroad. [32]
Most scholars date satsuma ware's appearance to the late sixteenth [1] or early seventeenth century. [2] In 1597–1598, at the conclusion of Toyotomi Hideyoshi's incursions into Korea, Korean potters, which at the time were highly regarded for their contributions to ceramics and the Korean ceramics industry, were captured and forcefully brought to Japan to kick-start Kyūshū's non-existent ...
Arita porcelain dish with underglaze blue, with design of river, weirs, and maple leaves, c. 1650–1670s Arita Sarayama dish with overglaze polychrome enamel design of plum and fence, 1700–1730s Arita ware ( Japanese : 有田焼 , Hepburn : Arita-yaki ) is a broad term for Japanese porcelain made in the area around the town of Arita , in the ...
The Hizen Hasami Pottery Kiln Sites (肥前波佐見陶磁器窯跡, Bizen Hasami tōjiki kama ato) are the ruins of the kilns which produced Hasami Ware in the Edo to early modern period. A total of 36 kiln sites have been identified in eight areas in the hills which surround the town of Hasami.
The most distinctive feature of Seto ware is its use of a wide variety of glazes, and during the Kamakura period, Seto was the location in Japan that made use of glazes. This glazed pottery, or Ko-Seto (古瀬戸) impacted the development of bowls used for the Japanese tea ceremony. The clay available in Seto is a high-quality kaolin and ...
White tenmoku Ofuke ware bowl, medium stoneware with rice-straw ash glaze, between 1700–1850 Edo period. Tenmoku (天目, also spelled "temmoku" and "temoku") is a type of glaze that originates in imitating Chinese Jian ware (建盏) of the southern Song dynasty (1127–1279), [1] original examples of which are also called tenmoku in Japan.