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Por donde Eugenio Florit venga o vaya, anda por una senda apartada de estatuas y lirios. Exquisito de nacimiento, gris sencillo por suerte para él, está en la estirpe perpetua de la inmanente aristocracia poética y humana: el noble instinto, la buena conciencia, que con su cultivo lo miran y lo entienden todo hermano. Atenta comprensión ...
Gachupín is a Spanish-language term derived from a noble surname of northern Spain, the Cachopín of Laredo (present-day Cantabria).It was popularized during the Spanish Golden Age as a stereotype and literary stock character representing the hidalgo (petty nobility) class which was characterized as arrogant and overbearing.
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Y yo con ganae gritate ¿Y tu agüela, aonde ejtá? A ti te gujta el fojtrote, Y a mi brujca maniguá. Tú te laj tiraj de blanco ¿Y tu agüela, aonde ejtá? Erej blanquito enchapao Que dentraj en sosiedá, Temiendo que se conojca La mamá de tu mamá. Aquí el que no tiene dinga Tiene mandinga . . ¡ja, ja! Por eso yo te pregunto
Guerra composed the song "Ángel para una Tambora" in honor of Andújar and replaced the deceased musician with the percussionist Juan De la Cruz. After this, Guerra recorded the title track "Ojalá Que Llueva Café", which was the first single released in June 1989, and included the participation of the Dominican children's choir "Retoños ...
Una donna is a 1906 novel by Sibilla Aleramo, and is one of the first explicitly feminist Italian novels. The novel was composed between 1901 and 1904, and while initially rejected by editors Treves , Baldini & Castoldi , it was published in November 1906 by Società Tipografica Editrice Nazionale (STEN).
A top-line writer or top-liner is a songwriter who writes a song over a pre-made beat. In top-lining, the writer is not creating a song from scratch, but rather creating lyrics and melodies over an existing music genre, tonality, harmony, rhythm, and form of a song.
E-verbs with -de in the preterite will for instance be inflected in both gender and number for the past participles; while those with -te will be inflected only in number, as described in the past participle section. Unlike Bokmål, Nynorsk has a more marked difference between strong and weak verbs—a common pattern in dialects across Norway.