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During 1802, Coleridge wrote the poem Hymn Before Sunrise, which he based on his translation of a poem by Brun.However, Coleridge told William Southeby another story about what inspired him to write the poem [1] in a 10 September 1802 letter: "I involuntarily poured forth a Hymn in the manner of the Psalms, tho' afterwards I thought the Ideas &c disproportionate to our humble mountains ...
The speaker of the poem questions the sun's motives and yearns for the sun to go away so that he and his lover can stay in bed. Donne is tapping into human emotion in personifying the sun, and he is exhibiting how beings behave when they are in love with one another. The speaker in the poem believes that, for him and his lover, time is the enemy.
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
A Desultory poem, written on the Christmas Eve of 1794 "This is the time, when most divine to hear," 1794-6 1796 [Note 9] Monody on the Death of Chatterton. "O what a wonder seems the fear of death," 1790-1834 1794 The Destiny of Nations. A Vision "Auspicious Reverence! Hush all meaner song," 1796 1817 Ver Perpetuum. Fragment from an ...
It is one of his many poems that deal with the legend of King Arthur, and describes Galahad experiencing a vision of the Holy Grail. The subject of the poem was later included in The Holy Grail section of Tennyson's Idylls of the King, but the latter version depicts Galahad as a pious individual who is grimly determined to fulfill his destiny.
Epifanio San Juan writes that the action of the poem "occurs in the tension between memory and desire, knowledge and intuition, nature and history, subsumed within a vision of eternal order". [4] Cleanth Brooks asks whether, in this poem, Yeats chooses idealism or materialism and answers his own question, "Yeats chooses both and neither. One ...
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The poem was set to music by Harold Fraser-Simson in 1927 and, under the name Christopher Robin is Saying His Prayers, many commercial recordings of the song were released including by Gracie Fields and Vera Lynn. In his 1974 memoir, Christopher Milne described it as a "wretched poem" which inaccurately described his thoughts in prayer.