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A plot summary is not a recap. It should not cover every scene or every moment of a story. A summary is not meant to reproduce the experience of reading or watching the work. In fact, readers might be here because they didn't understand the original. Just repeating what they have already seen or read is unlikely to help them.
Show, don't tell is a writing style that favors implying information rather than explicitly stating it. It's more evocative and creative, but it takes more words to convey the same information. When you're summarizing a complex work into several hundred words, it's frequently best to avoid this. Instead, simply and explicitly state everything.
The plot summary for a work, on a page about that work, does not need to be sourced with inline citations, as it is generally assumed that the work itself is the primary source for the plot summary. However, if the summary includes a direct quote from the work, this must be cited using inline citations so that readers can easily verify it ...
Writing a story means weaving all of the elements of fiction together. When it is done right, weaving dialogue, narrative, and action can create a beautiful tapestry. [ 6 ] A scene top-heavy with action can feel unreal because it is likely that characters doing something—anything at all—would be talking during the activity.
The term plot can also serve as a verb, as part of the craft of writing, referring to the writer devising and ordering story events. (A related meaning is a character's planning of future actions in the story.) The term plot, however, in common usage (e.g., a "film plot") more often refers to a narrative summary, or story synopsis.
Craft a short and sweet email that shows a busy editor that No. 1, your pitch is a good idea and No. 2 that you are the best person to write it. Pro Tip Finding an editor’s email can be difficult.
Transitions in fiction are words, phrases, sentences, paragraphs, or punctuation that may be used to signal various changes in a story, including changes in time, location, point-of-view character, mood, tone, emotion, and pace. [1] [2] Transitions are sometimes listed as one of various fiction-writing modes.
Some good reader strategies are predicting, connecting, inferring, summarizing, analyzing and critiquing. There are many resources and activities educators and instructors of reading can use to help with reading strategies in specific content areas and disciplines.
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