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A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
Madhyamavati (madhyamāvati) is a raga in Carnatic music (musical scale of South Indian classical music). It is an audava rāga (or owdava rāga, meaning pentatonic scale), as it does not have all the seven musical notes . It is a janya rāga (derived scale). The equivalent of Madhyamavati in Hindustani music is Madhumad Sarang.
Qañat consists in a set of intervals defining the mode of a musical piece or the tuning scale of the instrument playing the piece. [1] There are four main qañat scales that are used, all of which are pentatonic : tizita (ትዝታ), bati (ባቲ), ambassel (አምባሳል), and anchihoye (አንቺሆዬ).
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament
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Udayaravichandrika scale with shadjam at C. Udayaravichandrika is a symmetric rāgam that does not contain rishabham or dhaivatam.It is a pentatonic scale (audava-audava rāgam in Carnatic music classification – audava meaning 'of five') and is equivalent to the minor pentatonic scale in Western music. [4]
The Ambassel scale. The Ambassel scale (Amharic: አምባሳል ቅኝት) is a pentatonic scale widely used in the Gonder and Wollo regions of Ethiopia.. The notes of the scale (from C) are C, Db, F, G and Ab.
Shivaranjani or Sivaranjani is a musical scale used in Indian classical music. There are two scales, one in Hindustani music and one in Carnatic music.The Hindustani rāga is a pentatonic scale, [1] as is the Carnatic scale categorized as Audava-Audava (audava meaning 'of 5') resulting in 5 notes in the Arohanam and 5 in the Avarohanam.