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In this song, the narrator, tells his significant other the unusual way her love makes him feel. The song is in the key of C Major, before transposing upward to D Major on the last repetition of the chorus. In the verses, the main chord progression is C-F-Am-G-C-G/B-F-Am-G, and in the chorus, the progression is C-D7-F-G7 five times. [1]
"Feels Like Love" is an uptempo dance-pop number in the key of B ♭ minor. The song is about the power of music and dance to lower one's inhibitions. In the song's chorus Jackson asserts that music "feels like love" and that it "takes my body and I lose control".
You're feeling all the feels... but is it love?
"Feels Like Love" is a song written and recorded by American country music artist Vince Gill. It was released in May 2000 as the second single from the album Let's Make Sure We Kiss Goodbye. The song reached number 6 on the Billboard Hot Country Singles & Tracks chart and peaked at number 13 on the Canadian RPM Country Tracks chart. [1]
"Feels Like the First Time" is the debut single by British-American rock band Foreigner. It was written by Mick Jones and released in 1977 from the band's eponymous debut album . It reached No. 4 on the Billboard Hot 100 .
"Almost Like Being in Love" is a show tune with music by Frederick Loewe and lyrics by Alan Jay Lerner. It was written for the score of their 1947 musical Brigadoon. [1] The song was first sung by David Brooks and Marion Bell, in the Broadway production. It was later performed in the 1954 film version by Gene Kelly. [2]
The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...