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The Fiddler's Fakebook, by David Brody, is a collection of fiddle tunes in lead sheet form (naturally without lyrics). It includes tunes in the following styles: [1] England; Scotland; Ireland; Shetland; French Canadian; Nova Scotia/Cape Breton; New England; Old-Time; Bluegrass; Texas Style; Western Swing
Like most fiddle tunes, "Blackberry Blossom" has an A part and a B part. In Arthur Smith's 1935 version, the A part is in the key of G major, with C and D chords in the second half of the part; the B part introduces an E major chord, making for a rather unusual mood shift.
Tablature (or tab for short) is a form of musical notation indicating instrument fingering or the location of the played notes rather than musical pitches. Tablature is common for fretted stringed instruments such as the guitar , lute or vihuela , as well as many free reed aerophones such as the harmonica .
The contents of the DLA are drawn from special collections of Appalachian College Association member libraries. It has about twenty files pertaining to "Yew Piney Mountain." Lester McCumbers Oct 9, 2008 Kim Johnson banjo, Gerry Milnes, guitar; Piney Mountain, full band, by prominent pedagogue Darol Anger; Sheet music for Yew Piney Mountain here
The fiddle was the central instrument in Cajun sound until the twenties when it was somewhat eclipsed by the accordion, both in Canada and the United States. In the early 1930s strings once again dominated. Mandolins, pianos, and banjos joined fiddles to create a jazzy swing beat strongly influenced by the western swing of Texas. [8]
Fiddlesticks are traditional instruments used to add percussion to old-time and Cajun fiddle music, allowing two people to play the fiddle at the same time. While the fiddler plays in normal fashion, a second person uses a pair of straws, sticks, or knitting needles to tap out a rhythm on the strings over the upper fingerboard (between the bow ...
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"Cripple Creek" is an Appalachian-style old time tune and folk song, often played on the fiddle or banjo, listed as number 3434 in the Roud Folk Song Index. The lyrics are probably no older than the year 1900, and the tune is of unknown origin. It has become a standard among bluegrass musicians and is often one of the first songs a banjo picker ...