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The Umbrellas, 1991, Japan Photograph of the yellow umbrellas of the 1991 Christo and Jeanne-Claude project in California. Photo by Robert S. McCombs. The Umbrellas, Japan–USA, 1984–91 was a 1991 environmental artwork in which artists Christo and Jeanne-Claude erected yellow and blue umbrella structures in California (between Gorman and Grapevine [1]) and Japan, respectively.
The composition appears natural, but the angles of the umbrellas are carefully arranged to form geometric shapes, with the main figure's bandbox and the girl's hoop adding rounded elements. The colours are largely blues and greys: a pattern of umbrella canopies across the top of the painting, and the dresses and coats of the people lower down.
File: Henri Matisse, 1919-21, Woman with a Red Umbrella Seated in Profile (Interior), oil on canvas, 81 x 65 cm, private collection.jpg
Pierre-Auguste Renoir (1841–1919) grew up in Paris, where his father worked as a tailor and his mother as a seamstress. [1] Renoir trained as a porcelain painter for four years in his youth, but the Industrial Revolution was well underway and technological innovation in porcelain manufacturing replaced porcelain painters with machines, leaving Renoir without a career.
The plane-disintegrating geometric shape of the stone facade with the carved pilasters and the shop window, as well as the abstracted figure, fit into the structure of the painting like mosaic stones and form an integrated unit. This also applies to the use of color, with deliberately chosen accents around the middle.
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Peter Max (born Peter Max Finkelstein, October 19, 1937) is an American artist known for using bright colors in his work.Works by Max are associated with the visual arts and culture of the 1960s, particularly psychedelic art and pop art.