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The Petrified Man [1]) is a 1957 American black-and-white horror science fiction film directed by László Kardos and starring Victor Jory, Ann Doran and Charlotte Austin. [2] The screenplay was written by Bernard Gordon under his pen name Raymond T. Marcus. [3] The Man Who Turned to Stone was released in 1957 on a double bill with another ...
The Man Who Shot Liberty Valance: 1962: John Ford [1] The Man Who Wasn't There: 2001: Joel Coen [1] The Man Who Would Be King: 1975: John Huston [2] [3] Man with a Movie Camera: 1929: Dziga Vertov [3] [4] The Man with the Golden Arm: 1955: Otto Preminger [1] [3] The Man with Two Brains: 1983: Carl Reiner [4] The Man Who Turned to Stone: 1957 ...
It is an upright, lonely standing stone, called Zkamenělý pastýř ("Shepherd turned-into-stone") or Kamenný muž ("Stone Man"). [7] [8] In another Czech village, Družec, there is a sandstone Marian column from 1674 and a man-sized stone called Zkamenělec ("Man-turned-into-stone"), surrounded with legends of a punished perjurer or ...
Drive-in advertisement from 1957 for Zombies of Mora Tau and co-feature, The Man Who Turned to Stone. David Maine of PopMatters rated the film 6 out of 10 stars and described it as "pretty entertaining overall, and enlivened immeasurably by Ms. Eaton’s feisty grandma". [4]
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Victor Varconi (born Mihály Várkonyi; March 31, 1891 – June 6, 1976) was a Hungarian actor who initially found success in his native country, as well as in Germany and Austria, in silent films, before relocating to the United States, where he continued to appear in films throughout the sound era.
Turn to Stone: Petrifaction in mythology and fiction "Turn to Stone" (Joe Walsh and Barnstorm song), from the 1972 album Barnstorm "Turn to Stone" (Electric Light Orchestra song), from the 1977 album Out of the Blue "Turn to Stone", a song by Black Sabbath from their 1986 album Seventh Star; Turn to Stone, a 2002 album by Pentagram
The stone circle was made for the film. [11] Henson said he did all but three stunts. He says the performing stuntmen were injured following each one. [8] Director Sharp called the film "great fun to do, especially after doing several films in a row like The Violent Enemy (1969). It was a great change, geared for a younger audience as it was."