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The Immortal Game was a chess game played in 1851 between Adolf Anderssen and Lionel Kieseritzky during the London 1851 chess tournament, an event in which both players participated. It was itself a casual game, however, not played as part of the tournament.
Lionel Adalbert Bagration Felix Kieseritzky (Russian: Лионель Адальберт Багратион Феликс Кизерицкий; 1 January 1806 [O.S. 20 December 1805] – 18 May [O.S. 6 May] 1853) was a Baltic German chess master and theoretician, known for his contributions to chess theory, as well for a game he lost against Adolf Anderssen, known as the "Immortal Game".
The Immortal Game, played by Anderssen and Lionel Kieseritzky on 21 June 1851 in London—where Anderssen made bold sacrifices to secure victory, giving up both rooks and a bishop, then his queen, and then checkmating his opponent with his three remaining minor pieces—is considered a supreme example of Romantic chess. [4]
Adolf Anderssen won both the London International Tournament and the rival London Club Tournament.. London 1851 was the first international chess tournament. [1] The tournament was conceived and organised by English player Howard Staunton, [2] and marked the first time that the best chess players in Europe would meet in a single event.
In 1848, Anderssen drew a match with the professional player Daniel Harrwitz. [10] On the basis of this match and his general chess reputation, he was invited to represent German chess at the first international chess tournament, to be held in London in 1851. Anderssen was reluctant to accept the invitation, as he was deterred by the travel costs.
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A celebrated game by Adolf Anderssen, the Immortal Game, featured a queen sacrifice as part of White's final mating combination. In the diagram position Anderssen gave up his queen with 22.Qf6+! to deflect Black's knight: the game continued 22...Nxf6 23.Be7#. This is an example of a sham queen sacrifice, as the sacrifice resulted in checkmate ...
A famous game of this time is the Immortal Game between Anderssen and Lionel Kieseritzky, which embodies the Romantic style. The style was effectively ended on the highest level by Wilhelm Steinitz , who, with his more positional approach, defeated many of his contemporaries and ushered in the modern age of chess.