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Furthermore, art historian Anne Higonnet argued in 2011 that the work is a self-portrait. [6] Villers exhibited Study of a young woman sitting on a window and two other works at the Salon of 1801, followed at the Salon of 1802 by a genre painting entitled A child in its cradle and A Study of a Woman from Nature. [7]
The latter half of the 18th century continued to see French preeminence in Europe, particularly through the arts and sciences, and the French language was the lingua franca of the European courts. The French academic system continued to produce artists, but some, like Jean-Honoré Fragonard and Jean-Baptiste-Siméon Chardin , explored new and ...
Category:18th-century Finnish women artists Category:18th-century Swedish women artists. Brita von Cöln (died 1707) Anna Maria Ehrenstrahl (1666–1729) – daughter of the painter David Klöcker Ehrenstrahl. Margareta Capsia (1682–1759) – the first professional native female artist in Finland, which during her lifetime was a part of Sweden.
It includes French painters that can also be found in the parent category, or in diffusing subcategories of the parent. Pages in category "18th-century French women painters" The following 45 pages are in this category, out of 45 total.
This is a non-diffusing parent category of Category:18th-century French women painters The contents of that subcategory can also be found within this category, or in diffusing subcategories of it. Contents
This is a non-diffusing subcategory of Category:18th-century French artists. It includes French artists that can also be found in the parent category, or in diffusing subcategories of the parent. See also: Category:18th-century French male artists
Most of the 18th-century portraits occupy a placid middle ground between the styles of the two dominant male artists of the time, Thomas Gainsborough and Joshua Reynolds, typified by Katherine ...
Marie-Gabrielle Capet (6 September 1761 – 1 November 1818) was a French Neoclassical painter. She was born in Lyon on 6 September 1761. Capet came from a modest background and her previous background and artistic training is unknown, but in 1781 she became the pupil of the French painter Adélaïde Labille-Guiard in Paris.